Typography

All 1684 articles

Fifty shades of typeface, a London dominatrix gets her own brand identity

Geometric mischief: Elya Akateva’s posters prove how much you can do with the default

Chloe Gaillard imbues typography with historical easter eggs

Graffiti and skate culture steers graphic designer and illustrator Antoine Laurent

Comma Type’s CMM Coda epitomises the influence of women in code

Big Cartel’s big rebrand by How&How throws caution to the wind

Anna Mills’ bespoke lettering for musicians balances rough edges, offbeat kerning, ink bleeds and wobbly lines

Frontify Future’s bespoke typeface champions the kinetic future of branding

Saint Urbain’s brand for hotel Now Now has “soul and story” behind it

How Eliott Grunewald’s foundry OTT signals a shift in the creative industry

Bond’s typeface for the Finnish football league is based on the shape and movement of fan scarfs

Dinamo turns Stefan Marx’s handwriting into a font

Companion–Platform’s variable logo for Uncommon Fruits changes with the seasons

It’s a (wo)man’s game: Janet Delavan’s Feminine American Pastime deconstructs gender-based activities

Tjaša Cizej’s experimental work blurs the boundaries between the readable and unreadable

Onlysans from Daria Cohen rejects timelessness in favour of fierce modernity (and memes)

Siyu Shen couldn’t find soy milk that looked right, so she made Dou

Matt Willey’s Helions brand has a tender intensity in favour of tone rather than concept

Bubble and toil: Inside Hanna Karraby and James Paris’ eerie branding for a horror-inspired coffee shop

Suzy Chan’s handwritten film titles channel emotional tone for short film Muna

	
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